As budget proposals from Mayor Jim
Kenney and Gov. Tom
Wolf began to chip away at the $250 million needed to fund the creation of
an 11-acre park capping I-95 near Penn's Landing, another player in the future
of the Delaware riverfront has been keeping a close watch on the project.
"We are keeping a sharp eye out for what the
timeline will be on the park," said Independence Seaport Museum President
and CEO John
Brady in an interview with the Business Journal.
A 2014 feasibility study from the Delaware River
Waterfront Corp. on the redevelopment of Penn's Landing indicated the Seaport
Museum would undergo construction as part of the plans.
Now Brady, while still painting with broad strokes, has
switched to a somewhat finer brush.
"Where you're seeing stone now, or concrete, you
would see glass," he said.
The last time any major changes were made to the building
was in 1997, he said.
Careful to caution that any construction plans are still
in the nascent stages, Brady said discussions between the DRWC and the Seaport
Museum have been ongoing.
Both organizations would like to see more glass
incorporated in the building – which could prove pricey according to one
expert.
"We are of like minds on where we would like to be
in terms of the building being transparent. The better an attraction we are,
the better it is for the DRWC," Brady said. "Nothing is edged in
granite, but the room for improvement for this building is in the realm of
opening it up … so it is not an obstruction to the park and the boat
basin."
The museum leader declined to speculate on the cost of overhauling
the museum property, but said as plans finalize for Penn's Landing Park, the
institution will shift its capital campaigns to raise money for the building
changes.
With only sparse details available, David
Greenbaum, of the architectural and engineering design firm SmithGroup JJR
who focuses on museums and other civic spaces, said it's difficult to speculate
on price.
"Inherently, museums have certain embedded costs to
do that kid of work," he said. Adding glass to a waterfront property that
already needs to account for humidity to maintain exhibit integrity indoors
adds a challenge that could up expenses, Greenbaum explained.
"It's a level of technicality you have to address in
a museum environment that you wouldn't have in an office or other buildings
because you want to make sure the artifacts don't crack or get damaged in any
way," he said.
Greenbaum estimated typical construction costs for a
museum could range anywhere from $500 to $1,200 per square foot,
"depending on the level of exuberance and complexity of the project.
"Despite the potentially high overhead, Greenbaum said the
investment is crucial for the Seaport Museum's future growth.
"The big move is the park," he said, "The
museum needs to step up to earn that new site in a way."
Aside from creating a more aesthetically pleasing view
for those admiring the waterfront from the future park, Brady said he'd like
the museum to better its visibility from Columbus Boulevard, and maintain or
enhance accessibility to its entrances. How parking fits in to the overall
redesign of Penn's Landing is also of interest to the institution.
Set to cover the interstate from Chestnut to Walnut
streets and slope downwards towards the Delaware River, the Penn's Landing Park
is still $10 million shy of the $225 million total cost, said Ajennah Amir, a
spokeswoman for the city, on Friday. Kenny set aside $90 million for the park, doled out over the next several
years, in his budget proposal. The Pennsylvania Department of Transportation
also pledged $100 million for the project, and a previous $10 million from the
agency was already put towards a feasibility study, according to BillyPenn.com. Another $10 million from the William Penn
Foundation rounds out the existing funds.
Construction of certain, periphery aspects of the
redevelopment – like trail improvements – could begin within the next 12 to 18
months, Amir said, though the bulk of the work is targeted to begin in 2019 or
2020.
"We would try to go in lockstep so we opened the
brand new 'us' at the same time the park opened," the Seaport Museum's
Brady said, a strategic choice since the park's construction would likely
negatively affect visitation while underway.
Mirroring the timeline for the creation of the Penn's
Landing Park is "perfect timing," according to Ira Rosen, a professor
with Temple University’s School of Sports, Tourism and Hospitality Management.
Calling a glass façade a smart idea to draw tourists,
Rosen said this type of investment is necessary for the Seaport Museum to stay
in line with the messaging coming out of organizations like Visit Philadelphia,
which markets the city as a tourist destination.
"Philadelphia has such a strong tourism reputation
that people expect to see the best of the best when they visit Philadelphia
attractions," he said. "If our attractions don't keep up with that
expectation, then we aren't delivering on the tourism promises our marketing
people are selling quite effectively."
"One of the challenges they face in their current
location, many tourists walk past the building but don't really know what is
inside the building," he continued. "It is a really good idea to
increase the visibility of the museum, in this case literally with the glass
façade."
With 75 years left on its lease of the city-owned
building at 211 S. Christopher Columbus Blvd., the Seaport Museum is occupying
space that is an odd fit for a museum and major upgrades to the property were
just a matter of time, Brady said.
"Regardless of what happens to the park, we will get
to a place where we want to make major changes to the building," the
Seaport CEO said. "But the park would make it more likely that we would
get that done first because of the enthusiasm that would generate."
Source: Philadelphia
Business Journal
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