The Philadelphia Convention and Visitors Bureau had
relentlessly pursued the organizers of the Lightfair International, trying to
persuade them to hold their huge commercial-lighting trade show at the Convention
Center.
The show would be a big win for the city: $25 million in
economic impact, 23,000 attendees, more than 13,000 nights in hotel rooms.
But it appeared that New York's Jacob K. Javitz Convention
Center had a firm lock on Lightfair's show on the East Coast.
Then, finally, Philly's sales pitch worked.
"It was a coup when we got it," said Julie Coker
Graham, executive vice president of the Philadelphia Convention and Visitors
Bureau. Lightfair switched to Philadelphia for its 2011 and 2013 shows.
What happened next illustrates the challenges and the
opportunities facing the center as it tries with new work rules and procedures
to overcome years of business losses due to complaints about labor costs and
inefficiencies.
By the end of Lightfair's 2013 show, its organizers were so
angry about Philadelphia's labor situation that the city lost the show, which
returned to New York for 2015.
Now, Coker Graham said, the city is trying to use the
changes in the work rules and Convention Center management to woo Lightfair and
other formerly unhappy customers. "We are very confident that Lightfair
will be even more successful if and when the show returns in the future,"
she said.
Lightfair officials had no comment.
"Our goal is to improve the productivity," said
Robert McClintock, senior vice president of SMG, the West Conshohocken firm
that took over the center's management in December.
Changes have occurred this year:
Because two of the six unions that had been working at the
center failed to sign a new Customer Satisfaction Agreement by the May 5
deadline imposed by Convention Center management, there are fewer unions to
coordinate.
Members of the Metropolitan Regional Council of Carpenters,
one of the two unions that lost jurisdiction, were among the highest paid. Now
its work is being done by lower-paid union stagehands and laborers.
The new rules allow the trade-show producers to ask union
halls to send particular union foremen and workers.
"They have been out there and performing at a very high
level," McClintock said.
Lightfair's 2011 Philadelphia show was a success, topping
New York in square footage on the floor and in the number of attendees.
But for the people who produced the show behind the scenes,
the story was different, according to a report obtained by The Inquirer and
generated by the company that produced Lightfair in New York in 2009 and in
Philadelphia in 2011.
In square footage, Philadelphia's 2011 show was 15 percent
larger than New York's 2009 show. So, it should have taken roughly 15 percent
more worker-hours to set up and dismantle, said Ira Rosen, an assistant
professor of tourism and hospitality at Temple University, who examined the
report at The Inquirer's request.
Instead, it took 51 percent more worker-hours in
Philadelphia - 19,723 to 13,055 in New York.
"That seems excessively high given the square footage,
all other things being equal," Rosen said.
The report made other comparisons:
It took 4,000 overtime hours to produce the show in New York
but 9,337 overtime hours in Philadelphia.
There was one foreman-hour for every 7.2 worker-hours during
setup in Philadelphia, compared with one foreman-hour for every 41.3
worker-hours in New York.
In New York, union carpenters and carpenters apprentices
took 8,389 hours to set up and tear down the show. In Philadelphia, union
carpenters and laborers from another union took 11,488 hours.
In Philadelphia, the report describes worries about work
stoppages to resolve disputes over union jurisdictions and fears that workers
would slow up on straight time so they could earn overtime.
In New York, show contractors can ask for particular union
foremen. In Philadelphia, contractors could call particular foremen from
laborers, stagehands, and electricians' unions, but not from the Carpenters
union.
Instead, leaders of the Carpenters union decided who and how
many foremen would work, McClintock said.
In Philadelphia, McClintock said, contractors couldn't tell
union carpenters directly to hang a sign, for example. Instead, the contractor
would have to find a carpenter foreman who would talk to the worker, slowing
the job.
That has changed now, McClintock said.
To be sure, there are extenuating circumstances.
Martin O'Rourke, spokesman for the Carpenters union, said
the contractor's report unfairly denigrates Philadelphia's union carpenters.
They could have always, for example, sought specific foremen,
but when they did, they always seemed to ask for someone who was retired, he
said.
O'Rourke agreed that changes in the work rules will help the
center. That's why, he said, the carpenters signed the agreement, albeit
several days past management's deadline.
Rosen said some problems might have been the producers'
fault.
"It's how you treat labor," he said. "If you
treat people nicely and fairly, you get more leeway than if you treat them like
the village idiots."
Source: Philly.com
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