The Philadelphia Historical Commission on Friday granted
conceptual approval to an application from developer Bart Blatstein to remove
parts of a Rittenhouse Square estate (the so-called McIlhenny Mansion) and to
build an addition.
It also advanced final approval to the insertion of a garage
into another house in the same district, prominently situated at the corner of
18th St. and Delancey Place.
Although Blatstein's proposal took up the great bulk of the
meeting and has garnered a lot of attention, in reality, the Delancey Place
work seemed the most significant. While the applicant's attorney, Leonard
Reuter, presented a case that convinced most commissioners (commissioners David
Schaaf and Robert Thomas recused themselves) of its subtlety — even
commissioner Dominique Hawkins conceded that the architect's solution offered a
"sensitive design to a geometric challenge" — no one questioned why a
garage was necessary at all — especially in the face of a new zoning code that
expressly discourages them.
Reuter pointed out that the rear space to be used for
parking had once "likely" been a stable, that other houses on Panama
St. now have garages, and that the owners intended to change the use of the
house from one serving multiple tenants into a single family home, thereby
potentially removing several cars off of the street.
In signaling their approval (with the lone 'no' coming from
Hawkins), commissioners requested that additional courses of brickwork be
inserted between the bottom of the first floor windowsills and the top of the
new garage, which will slope underground and necessitate the removal of some
basement windows.
The Blatstein case was considered from two vantages: whether
the changes he was requesting were merely "alterations" or if they
constituted "demolition" of historic fabric; and whether the design
of the new building is compatible with the overall historic district.
Blatstein was present with a coterie of dark-suiited men,
but remained silent through the testimony.
Attorney Carl Primavera and several architects laid a
groundwork that suggested that the proposed changes echoed and, in some cases,
were less impactful than those that had been approved by the Commission in
1999, at the request of a former owner. The argument then, as now, rests
on the fact that much of the material to be removed was only added on during
subsequent renovations to the 1850s structure.
At the suggestion of newly-bearded chair Sam Sherman and led
by an assessment from co-chair Sara Merriman, commissioners moved fairly
quickly, again with the exception of Hawkins, to agree with this take. Thomas,
who served on the 1999 Commission, said that after "many, many"
meetings and several legislative appeals, a "decision [to allow the
alterations] was made" and he didn't see anything in the current proposal
that caused him to reconsider that decision. Hawkins, though, retorted that she
wanted to "offer another opinion, which I always seem to do. . . . I think
we have to review every property on its own merits."
When the discussion turned to the design of the new
building, architects walked through some of its features and commissioners posed
a few questions. Schaaf asked that the new building's brownstone surrounds be
echoed in the new structure (instead of limestone as planned) and Merriman
suggested the architects consider increasing the amount of glazing by enlarging
the window openings. Hawkins advanced a motion to approve the design in concept
and it unanimously passed.
In other brief cases, the Commission granted unanimous final
approval to the installation of a ramp and door surrounds to bring the
individually designated Chestnut Hill's St. Martin-in-the-Fields Episcopal
Church into ADA compliance and to allow the installation of a neon sign to a
Mexican restaurant on 15th Street in the Rittenhouse Fitler historic district,
both with staff to review details. In the absence of any applicants and
following the Architectural Committee's recommendation, the Commission
unanimously denied the legalization of a sign erected by a Chinese restaurant
located in the individually-designated Corn Exchange Building in the Old City
historic district.
Source: PlanPhilly
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